Mr. Figg, the barber, is fond of telling customers about his family, but he hasn’t really got one – he’s a bachelor quite alone in the world. But that may change.

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

The comedy generally known as “The Barber of Sevilla” is strongly recommended because it contains nothing offensive nor objectionable, and also that it appeals to everybody in its delightfully amusing humor. The cinematographic piece has been pantomimed with the greatest care by competent artists, who have been carefully selected and who have studiously striven to conform themselves to the masterpiece of Beaumarchais. We place also on sale a shortened edition of the same piece, in which the second, fifth and seventh tableaux are taken out. We give our customers the privilege of purchasing any of the tableaux taken out of the shortened edition, urging them to be careful to specify in their orders what tableau or tableaux they desire. In such case we advise first of all the Seventh Tableau, which terminates happily and brilliantly the piece and forms a fine finale to the cinematographic view.

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

A crafty barber acts as a go-between for a count in disguise and rescues Rosina from marriage with her guardian. An operatic comedy.

In a time when operas are often set to different contexts from the ones they were intended for, a philological production has its merits, representing both a rediscovery and a provocation. This Barbiere di Siviglia, which at first sight might appear old-fashioned, restores, in fact, to perfection the setting of an early 19th-centrury Italian theatre. It was a time when the glorious tradition of popular comedy, a direct descendant of the 16th-century "commedia dell'arte", was very much alive, and the singers entertained the audience with humour that was direct and catchy. Bepi Morassi's direction witnesses to the importance of that heritage, based on the improvising skills of actors that came from the common people and needed to communicate concepts of common social life, through colourful costumes, musical instruments and masks modelled on the archetypes of the day. Humour, which here triumphs, makes of this Barbiere di Siviglia, a truly entertaining visual and audio experience.

In the small town of Revelstoke, Alaska, local barber Dexter is surprised to learn that the body of Lucy Waters has been discovered. Having killed this woman, days ago, he hoped her body wouldn't be found until spring. Through the eyes of a serial killer, we discover the chilling layer of a weary town whose only concern is another long, dark winter.

This feature documentary follows one of the greatest Canadian baseball players of all time, Ferguson Jenkins, through the 1972-1973 season. From the hope and innocence of spring training to the dog days of an August slump, the camera gets up close and personal at the home plate and records the intimate chatter on the mound, in the dugout and in the locker room. It provides a glimpse into the rewards and pressures of sports stardom and the easy camaraderie of the quintessential summer sport.

Wherever I am, whatever I do, there is only a me; never a you. Or if there's a you who exists at all, you only exist to slide down and fall. Then I, the king, will move in for the kill and thrust you down from the top of my hill

Rehabilitation of the Hill follows two quirky, headstrong women from opposing backgrounds as they battle over their vision for an urban neighborhood in Pittsburgh while begrudgingly falling in love.